I found this book, which is the sort of “first” within the
“Chronicles of Narnia” series to be a fun read. It was light hearted and
innocent yet laden with a lot of allegorical subtext that were blatantly
presented to the viewer. The premise of the novel is that there is a magical
world that has an entryway through the doorway of a wardrobe, which happens to
be found by one Lucy Pevensie, one day when her and her brothers and sisters
were playing hide and seek. In this mystical world, there has been an eternal
winter, a winter that has lasted forever with no signs of Christmas, caused by
the White witch of Narnia. According to the Narnia prophecy, peace and harmony
would only reign again in Narnia when two daughters of eve and two sons of
Adam, rule over the kingdom yet again. So the story already has us delving into
it knowing full well whom the sons and daughters of Adam and Eve are and that
these kids are destined to bring forth a complete change in Narnia, for the
better. From the start of the book you can see one main theme that helps tie it
into the overall religious allegory and that is Edmund’s temptation by the
white queen. Edmund’s temptation and subsequent betrayal all stems from a very
miniscule proposition and that is the fact that the white queen has offered him
Turkish delight in exchange for his brother’s and sisters’ whereabouts. His
green and incessant want of more Turkish delight turns Edmund down the wrong
path, even though in his heart he knows he is wrong, and so he lies to his
siblings and then ultimately betrays their plans to the white witch. Edmund then stands as kind of the original
temptation of man, in this world or just as the temptation of man in general. It
seems as though C.S. Lewis was pointing out how it could be a very miniscule
thing that one wouldn’t believe would be enough to betray those closest to you,
but sometimes that’s really all it takes. He makes the point with Edmund that
temptation is a powerful thing and though you may realize that what you are
doing isn’t right we often times block out that voice that tells us reason. He
also uses Edmund as an example of how much better off we are when we ask for
forgiveness once we have sinned. Aslan, the Jesus figure in this novel, saves
Edmund, and upon doing so has a private talk with him, that even we, as the
reader, are unaware what it is about and afterwards Aslan responds by telling
his siblings not to harp on it because all is forgiven. I guess that kind of
has to do with the way C.S. Lewis perceives a relationship with the Christ
figure in religion. It’s as though he were saying, yes you have messed up but
once you ask forgiveness that is between you and God alone, and once you have
asked for forgiveness and changed your ways then all is well and he won’t
“harp” on it and doesn’t expect you or anyone else to as well. The bigger
picture in this story is basically that everything is a religious metaphor;
Edmund is just one character that I find interesting within the whole story
because he is one of the most clearly flawed characters. Someone could probably
write forever about the resurrection of Aslan and how that relates to the rise
of Jesus Christ and the small intricacies of the novel but for me, watching
Edmund’s character was the most fascinating bit from that novel. Overall it was
a fun read, and the way it’s written reminds me a lot of Enid Blyton.
Thursday, February 21, 2013
Thursday, February 14, 2013
The Hobbit: J.R.R. Tolkien
After today’s “Hobbit” discussion
today and talking about J.R.R. Tolkien, I find that I am even more impressed
with this book than I was before. It’s actually my second time perusing through
this book and I find it just as fun and filled with adventure as it was before.
I think that’s my favourite part of reading this, it’s the fact that it is so
sophisticated yet still a campy feel good read and it has it’s serious bits
with the “battle of five armies” but it’s still at the core of it, a children’s
novel and reminds us of this with it’s numerous songs and comic relief
characters. I feel like this book is for that sophisticated child reader where
the plot and basis of the novel is so mature and well written but also happy
and adventurous and fun and it gives the reader everything they could want and
more from a children’s novel.
I think the point that most
impressed me about “The Hobbit”, and by extension “The Lord of the Rings” is
the fact that J.R.R. Tolkien sat down and created an entire language, elfish,
and then spun this intricate web about a world and creatures and people that
don’t exist as a result of this. It makes sense for a person to create a world
as a basis for a language because language is such a culture heavy part of
life. I remember reading a psychological study that explains linguistics
through culture as a manifestation of the world around us, for instance a place
that has snow all the time might have hundreds of words for snow whereas a
country with barely any snow might have just one word to describe it. This is
basically, in part, the reasoning behind having to create middle earth, because
once he created the language he needed a people whose culture reflected it and
was a basis for the language’s formation.
Overall I think the message and
feel of the story was very heartwarming and fun. I liked reading as Bilbo
started off as the reluctant protagonist and matured into an intrepid burglar.
His evolution as a character is, in a sense, inspiring because as he grows into
his own and learns to find his confidence in the outside world, you as the
reader kind of do the same and so Bilbo’s journey to the outside world kind of
becomes your own and gives you the sense of being able to go out and take on
the world’s challenges. Another good theme the novel has is overcoming greed
and selfishness, which gives the story such a strong moral backbone that I find
so important when telling a story.
Basically, for me, this book was an excellent read I was impressed at it’s
inception and it’s ability to tie in strong themes and lessons with a
tremendous plot line and still manage to be refreshing and lighthearted.
Wednesday, February 6, 2013
Aunt Maria: Diana Wynne Jones
“Aunt Maria” by Diana Wynne Jones was an interesting read.
Told in the first person, through a series of journal entries by Mig, the main
character, Jones weaves together a very interesting plot that delves into the
supernatural world of ghosts and witches. The characters in this story are very
dynamic to say the least; Aunt Maria is perhaps the greatest personality in the
entire novel. She’s interesting to me I think, because in my mind we have all
met or at least heard of people just like her. That elderly woman who lounges
idly and passes judgment on those around her and somehow manipulates you into
seeing to her every whim and worry. Aunt Maria is very much that character to
the point that it’s almost terrifying and Jones writes in such a way that you
find yourself feeling as though you too were securely under Aunt Maria’s thumb,
so to speak. Every small victory over her domineering personality was like a
triumphant conquest for the reader and the character that managed to attain
that victory, that I think the book becomes that much better of a read, because
the reader feels as though they are a part of the controversy. I think that’s
why I found myself rooting for Chris’ character despite the fact that he was
loud, and rude and brash. It’s that behavior I believe that most of us would
resort to when pushed completely to the edge of utter annoyance. A noteworthy
part of the story I think, is also how closely things would tie themselves to
gender roles. The way Jones writes and deals with gender roles in the story
seems to be a nod to how silly and ineffective these roles can be. In fact
Jones seems to be saying, through this novel, that gender roles more inhibit
rather than help alleviate situations and crises. Jones treats the separation
of male and female in this novel as though they were separate species that
could not and would not communicate with one another with women being the
dominant species in the book, causing the male entities to be distrustful of
Mig, the protagonist of the story. This novel reminded me of being a kid again
because the plot line seemed like something straight out of a nineties movie,
it was the right amount of supernatural antics mixed with terrible relatives
and quirky, bizarre happenings like people being transformed into animals and a
gathering of tea drinking witches and going out on holiday and finding an
adventure. I mostly liked reading it because it lent itself to that notion of
bizarre hi-jinks that sort themselves out in the end and make you a stronger person
because of it.
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